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Pressing the center of the zoom control would be the most intuitive way to make on-screen selections, but instead, you sometimes have to use the two small buttons below it to dive into on-screen menus. Top-level menu navigation is done with the thumb-operated zoom control, which is fairly responsive but feels cheap and plasticky. When shooting with the Camileo, I found the main drawback to be its menu navigation, which is especially frustrating given the amount of goodies at your disposal. And the camcorder has an all-plastic build, which definitely makes it feel a bit cheap (but also slim and light, and probably fairly durable). It’s nice to have the macro/landscape toggle, but the macro mode doesn’t allow for extreme close-ups the closest I was able to get to a subject and shoot a clear shot was about a foot away. That said, it’s big and adjustable enough to get the job done as a viewfinder.
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The adjustable screen is great for composing odd-angle shots (filming over a crowd or taking self-portraits, for example), but it’s not the sharpest screen we’ve seen, and it looks a bit dull in direct sunlight. Instead of the candy-bar design employed by the vast majority of pocket camcorders, the Camileo S20 shoots in a pistol-grip style, thanks to a flip-out, swiveling 3-inch LCD screen it’s a Sony Bloggie MHS-CM5 on a no-carb diet.
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It shoots AVI files in 1080p or 720p at 30 frames per second, recording the video footage to a user-supplied SD or SDHC card. It may be thin and light–even for a pocket camcorder–but the ultraslim Toshiba Camileo S20 ($180 as of ) packs more features into its frame than any high-definition pocket camcorder we’ve tested to date.Īlong with 1080p high-definition video, digital stabilization, and a macro/landscape toggle switch–all of which we’ve seen in models such as the Kodak Zi8–the Camileo S20 has a handful of pocket-camcorder firsts, including an LED light for shooting in the dark, a time-lapse mode that lets you select between three preset intervals, four white-balance presets, and a slow-motion mode that helps you take (very grainy) footage of fast action.